Something that I wrote and was performed a year ago.

Blue Black Boy

                            

                               (“Blue Black Boy” by Carrie Mae Weems)

The colors so natural blend into the skin of your past,

yet you’re rarely ever good enough to mention.

By both your people and theirs

You aren’t the striking figure that you should be

but a forgotten eyesore in need of a signifier.

“Smart for a….”

“Handsome for a…”

“Beautiful for a…”

Your shade puts you further back in the minds of those who matter

or rather those with power.

You matter.

Your deep brown eyes and deep brown skin with the blueish tint shine.

The shine is not one of glow or gloom but dignity.

Don’t let the rules of this color theory paint a world you can’t exist in.

Blue black boy

Run and tell High Yella and Magenta beauty dances and spins all over the color wheel.

Are you afraid?

To be misrecognized as a color coded soul is to live a life below the ground.

Stand up colored boy, find out the real story of what that color dreams.

Pillow Talk: A Short Screenplay

INT. Bedroom - night

A young woman about 20 years old, JALEN, lays on her bed in her small arpatment looking up at the ceiling forlorn.  The room is dark except for the dim light coming from the hallway.  The light disappears.  Her girlfriend, BRITTANY, walks up to the bed carefully lowering herself on JALEN’s body.  BRITTANY is nude, her hair slightly wet.  JALEN is wearing a t-shirt that hugs her slender frame and basketball shorts.  The moonlight from the window brightens the dark room.  JALEN seems unfazed by BRITTANY’s sudden apparence and turns her head to the wall avoiding BRITTANY’s gaze.  BRITTANY gently holds JALEN’s face and kisses her lips.  She brushes her hand through JALEN’s small curly afro.

BRITTANY: What’s wrong?

JALEN shrugs her shoulders.  BRITTANY gets up and sits at the top of the bed against the pillows and the headboard.  She smiles in JALEN’s direction as she puts an large old shirt.  She pats the pillow beside her.

BRITTANY: Come here baby, talk to me.

Reluctantly JALEN scoots up to sit beside BRITTANY, and lays her head against BRITTANY’s shoulder.

JALEN: It’s nothing.

BRITTANY wraps her arm around JALEN.

BRITTANY: All I did was leave and take a shower and now you’re sad?  I thought all the orgasms I gave you earlier would keep you happy.

BRITTANY kisses her cheek and JALEN smirks.

JALEN: No that was great babe don’t worry… I was just thinking about my mother.

BRITTANY: Your mother?  Did she call?

JALEN: Yeah… she called when you were in the shower.

BRITTANY: What happened?

JALEN sighed.

JALEN: She asked me to go to church with her tomorrow, which I refused to do, and then we got into an argument like we always do.  She claims I’m just lost and somehow an old book about a psychopath god can “save” me.

JALEN does air quotes for the word “save”, getting more annoyed with the subject.

JALEN (cont.): I wish she would just see how hypocritiacal it is to tell someone with such certainty that they are less of a person without religion, while there are nutjobs everywhere who have strong religious ideals.  It’s just- it’s all bullshit… And not ONCE does she mention you or even ask about you.  

JALEN shakes with anger.  BRITTANY calmly holds her.

BRITTANY: You can’t fight religion babe, it’s what people beleive without question.  They don’t care that’s it’s bullshit.  My granddad tried to use the whole, “you’re going to hell” thing when I told my family about you.  But I mean people are going to think how they want no matter how wrong they are, or how many people they hurt.

JALEN turns to her, her anger disappearing and her face full of disbeleif.

JALEN: I thought you said that none of your family cared about you being with me…

BRITTANY looked sadly into JALEN’s eyes.

BRITTANY: Most of them are fine with it, but you know how older black people are sometimes.  It’s like… no reasoning with them about certain things.

JALEN: Was it just him?

BRITTANY: Him and some aunts and uncles, that’s all.

JALEN sits up and rests on a pillow behind her.

JALEN: I feel bad.

BRITTANY: Why?

JALEN: I-I did this to you, I mean I’m the first girl you’ve ever been with… I feel selfish sometimes when I’m with you because I know you’re not used to this.

BRITANY takes JALEN’s face and holds it in her hands, caressing her cheeks.

BRITTANY: I love you alright?  It doesn’t matter who I’ve been before, I know how I feel about you and you didn’t do anything to me.  I want to be with you, you make me so happy baby.

BRITTANY kisses her.  JALEN nervously rubs her hand through her hair.

JALEN: That was the first time you said that you loved me.

JALEN gets up and pulls her down horizontally on the bed.  She positions herself on top of her and smiles.  BRITTANY smiles back at her and laughs soflty.

BRITTANY: Oh no, did I awaken the freak in you?

JALEN laughs softly.

JALEN: I’m afraid so.

BRITTANY arches her back as JALEN lifts off her large night shirt.  She kisses softly down BRITTANY’s stomach.

FADE OUT.

chasingaugust: hey : ) your a really good writier . i likes ya creative ramblings of the mind blog : ))

thanks :)

Therapeutic

The paint on the ceiling in my bedroom bubbles and begins to drip water.  The rain has been heavy this year.  I wish someone would find a faucet and put a stop to this never-ending shower.  The clock projected a bright blue 2:00 a.m. on my wall.  I turned over in my bed and wrapped my arms around the girl beside me.  She was just another nameless, faceless distraction to the disappointment that is my life.  I looked over at her trying to recall the mnemonic device I used to remember her name.  Jane?  I know it’s a J name… Or was it Courtney?  It doesn’t matter.  She’ll leave in the morning just like the others.  She’s no longer of use to me; I got what I needed last night.  These women and I have an understanding though; I tell all of them that I’m not interested in anything serious.  I’d like to believe that it’s helping me somehow, the meaningless sex, at least that’s what I want myself to believe.  Who knows maybe I’ll get the inspiration for my next screenplay… here’s hoping it doesn’t end up a porno…

I tried to think back to the good times, my graduation from the New York Film Academy three years ago.  I wrote, produced and directed my first feature film.  It was about the dreams of a young boy.  The entire film, until the end, took place in the dream.  The plot revolved around the boy’s vision for a new world.  It is set in the year 2025, but ignore the futuristic fantasies that automatically come to mind, this world would rely more on generating relationship between people.  Unseen by any present day man or women, this new world knew nothing of the past horrors of slavery and genocide.  The people exist in tranquility, and all sexist, racist, classist, and homophobic ideals are unimaginable.  The boy awoke to being kicked in his ribs by a larger boy, he was daydreaming at a playground.  A singular word ended the film, “Faggot.” 

I won Best Film at the four film festivals I entered it into, and received critical acclaim at Sundance last year.  People are expecting me to follow that up, but I don’t know how.  I feel like I have no more stories inside of me.  I have been suffering from intense writers’ block for months, resulting in the aforementioned series of one night stands.  As time progressed these went from being fun encounters to hollow moments leaving me feeling drained and depressed.  I had now spent almost two months of my life feeling sorry for myself.    

I closed my eyes again.  I saw images of the world I’d created.  Faces of girl after girl projected on the walls of my mind like the old movie.  In each scene I had the same face, one of loneliness and sleeplessness.  My face was beginning to develop frown lines.  The girls disappeared and it was only me lying in the bed.  A line drew itself jaggedly on my wrists causing an eruption of blood.  My face began to thin as my wrists continued to drip remnants of my life onto my bed.  I tried to yell out, but nothing happened.  My voice was gone.            

I awoke in a cold sweat to an empty bed.  The clock shone: 8:00 am.  I scanned the room and saw no remnants of the girl.  I found a Post-It from my desk stuck to the side of the bed.  Sorry I had to leave – Valerie.  Valerie… Oh that’s her name.  It looks like that J name guess was really off.  My head throbbed with the disjointed images of last night’s dream.  I closed my eyes again wanting to sleep for the next 24 hours and ignore the gnawing feeling of disappointment I have with myself.  Saturday mornings are the days that I sleep off the mistakes from earlier in the week.  All I have to do is close my eyes and drift back off into the nightmares; they were at least an escape from reality…

Ring. Ring.

Argh… I tried to block out the persistent sound of my cell phone.  Why can’t they leave me to my misery?

Ring. Ring.

I reluctantly grabbed at my phone.

“Hello…” My eyes squinted at the light of the sun coming through the window.  I sat up in the bed causing my head to pound as if it were being attacked by angry woodpeckers.

“Phoebe!  Pull it together, it’s time for you to get out of this funk,” the voice on the other line yelled.  It was Scotty, my one constant annoyance, otherwise known as my best friend.  I’ve known Scotty since we were in high school.  He got me through that frustrating period of acknowledging my sexuality which, until that point, I’d repressed since age five.

“Must you yell asshole?” I asked.

I stood up and slowly walked to the bathroom and looked in the mirror.  The room swayed as I moved.  The bags under my eyes were going to need a luggage cart soon.  My short brown hair shot out in just about every direction, and my comb was doing nothing to help.  I found an old baseball hat and stuck it on my head.

“Yes, especially when it’s necessary.  Come out with me, how long have you trapped in that old apartment of yours? Is it even clean?”  He sighed, probably asking himself why he continued to put up with me.

“I have been going out, almost every night actually…” I retorted.

“The bar to drink and meet some random girl to sleep with doesn’t count,”

“That’s not all I do…”  He knows me way too well.   

“Forget it, I’ll pick you up, don’t move… although I know you won’t,” He said snickering and hanging up the phone.  I’m sure he thinks he’s just hilarious.

I attempted to clean my room, wanting not to appease him, but lost interest and kicked all of my clothes that were lying on the floor into a corner.  I peered out the window and saw Scotty pulling into the parking lot in front of my apartment complex.  I grabbed a shirt and jeans from the corner and put them on.  I ran down the two flights of stairs to open the door for him.  The first thing I noticed was his signature fedora and aviators.  They are more precious to him than life itself, literally he threatened t o kill himself when I sat on his aviators one day.  The last time we hung out, a few weeks ago, we were having dinner in a restaurant and girl started flirting with him.  She pulled off his hat as a joke, and that was it for her, his interest in her and her childish games fizzled and he had no problem telling her.  He’s very superstitious about that hat, no one can touch it.  I’ve rarely ever seen him leave his house without it on.  Maybe that’s what girls find so attractive about him.  Obviously he does nothing for me.  I’m used to girls flocking to him though.  I personally think he’s full of BS, but that’s for those bimbos to find out.

He stood in front of me and gave me that hug that I’ve been missing for weeks, my Scotty embrace.  He stood back and put his hands on my shoulders.  “You smell terrible,” he said smiling and scrunching his nose.   He walked past me up the stairs to my apartment that he’s been to a million times. 

“It’s nice to see you too buddy,” I said condescendingly.

Using the word messy to describe how my apartment looks right now is a severe understatement.  Clothes and food wrappers littered the floor of the living bedroom; some of them not even mine.  I had so much space, but so little at the same time.  My kitchen, which is barely ever in use, is the only space free of debris.  This place was once one I was proud of; I picked out the wall colors for each of the rooms.  I made several trips to IKEA to create the atmosphere I needed to feel inspired.  As soon as my mood turned, that inspiration soon disappeared. 

Scotty walked into my room and sat on the edge of my bed, kicking his shoes off in the process.  He surveyed the room shaking his head at the endless Chic-Fil-A and McDonalds wrappers on the floor.

“It’s this film Scotty, I can’t find what to do.  It’s like I’m lost in my own head.  This is my job you know, I have to think of something but everything I write sounds like crap or just completely cheesy.  I refuse to lower myself making movies about nothing … I’m just exhausted… I want to say so many things but it won’t translate to paper…  I sit at my desk and stare at blank pages for hours.  I feel so worthless…”  I dropped myself on the bed and covered my face with the pillow.      

“Ok so I have a solution to get you out of this sad pathetic state you’re in,” Scotty pulled me upright.  

“Snap out of it!  Stop feeling sorry for yourself, the word can’t doesn’t exist in our world Phoebe, we have enough to worry about.  Where is that drive that was embedded in you that day I met you in 9th grade?  You’ve always gone for what you wanted.  Don’t stop that now.  This new movie can become the reason you became a filmmaker in the first place.  But to find that movie you need you have to get out, hear, see and interact with people… and I don’t just mean the girls you see in bed.  Stop wallowing and stop complaining.” 

He smiled, got up and walked over to the bathroom, “…or you could just make a movie about my life that will definitely keep people interested.”  He closed the bathroom door and I could hear his irritating laughter.  I guess he did have a point though.  Not about making a movie about him of course, but telling a story that means something to me that I can be proud of.

Scotty’s other solution to solve my problem was taking me to the movies.  There are so few times that I even go to the movies.  The endless brigade of pretentious romantic comedies with the same tired formula that has been used for decades, the action flicks that create a problem that would never exist in real life as an excuse to blow up buildings, and worst of all the quintessential ethnic film that produces more stereotypes than it erases, always causes me to lower my head in shame at what this country consumes.  Needless to say, I wasn’t too hopeful any movie out right now would do anything but depress me more. 

****

“Honestly, you thought this would cheer me up?” I asked settling in my seat and crossing my arms.  I looked down; the floor was littered with popcorn and candy.

“No, I thought making fun of it would,” he said ginning devilishly. 

“What movie is it anyway?” I said suddenly interested.

“What fun would that be?  Watch and find out,” he replied shifting in his seat back toward the screen. 

I should have known; the depression has taken over my sanity, of course it was to make fun of the movie.  Hollywood hasn’t produced anything watchable in years. That’s one of the reasons I wanted to become a filmmaker, to end the cycle of nonsense that is forced into the American mentality.  Scotty has been working in the advertising industry for years trying to counter the decades of toxic imagery.  He hates the movies more than I do, not just the movies, but commercials, TV shows, and print ads.  However, every now and then he’ll see a quality advertisement; whenever that occurs he immediately tears it out, or records it, to hold on to it as research (history). 

We left the movie theater and walked over to his car.  The movie turned out to be a real winner, a stunning tale of a college maiden searched for her true love and blah blah blah.  I give it five stars, only if the score is out of one hundred stars.  It was better than watching, and judging, Vampires Suck for the sixth time in a row.  I could see tears in Scotty’s eyes as his laughter failed to contain itself.  I had already been laughing since the first badly acted line was spoken.  The kids in the theater glared at us and I felt popcorn run down my shirt but I didn’t care.  As soon as the ninety minutes of eye gouging writing and acting were over, I could feel my mood lift.  No wonder I want to be a filmmaker, to keep filth like this from being taken seriously.  Come on people, I mean honestly.  The main character has to have more goals in life that just finding a man.  I find it hard to believe that this girl, who’s in college mind you, gave up on everything and said, ‘you know I think it’s time for a husband’.  It seems like such a joke.  I just don’t see why everything has to revolve around love being the ultimate completion of life.  When my film career was strong I felt great, personal achievement and supporting friends can create lasting happiness too.

I snapped out of my thoughts when Scotty playfully bumped my shoulder.  He was already driving us to his new apartment.  He was blessed with a high paying job and could actually afford an apartment that doesn’t leak.  Even the lobby of his building makes my apartment look like shit.  We walked into the elevator and Scotty pressed the button for the twenty-fifth floor, causing the doors to close.

“Honestly?  Twenty-fifth?  You might as well have bought the penthouse asshole,” I said jokingly.  I glared at him; he glared back accepting my challenge.

“I’m sorry we can’t all live among the New York elite like you,” he said shooting sarcasm like venom, “Have you gotten that leaky roof fixed yet?” He cupped his hands to his face making the noise of a crowd’s cheer.  He ended this childish spectacle with the addition of “Go Scotty! Go Scotty!” by the “crowd”.  

I punched him, then I smiled and gave him a hug, “Thanks for being there for me.  I feel better already.” 

He hugged back, “Depression is a hell of a drug,” he said laughing quietly. 

The door opened to our floor and he led me down the long, beautifully decorated, hallway.  His apartment was on the far end.  We walked into a living room right out of an IKEA catalog.  A plasma TV hung above the fireplace, which shone with an eclectic fire.  I instinctively took off my shoes collapsed onto the couch.  I put my arm over my face and sighed feeling the impending weight of depression creeping back towards me.  The joy from the day disappeared and I, again, started thinking of the film I needed to make, the film with no subject, no meaning, no characters, and no plotline.  Scotty noticed my still body and sat in the chair beside the couch.  He shook his head and moved my arm away from my face. 

“This again?  What’s wrong, I thought you felt better,”

“I do… or I did.  I thought seeing what horrible movies are allowed for public viewing would instantly inspire me.  But… nothing.  I don’t know what it is… Is life really worth it if I can’t do anything to make my dreams of being a success come true?” I said looking at the ceiling.

“You know your problem?  You’re over thinking this.  All you’ve done is whine, are you even trying?  What do you mean is life worth it?  I’ve never heard a bigger load of crap in my whole life; grow the hell up and stop being so selfish.  Do you know how many people who can’t even eat?  Let alone worry about a career.” Scotty said annoyed. 

I irritably threw the couch pillow across the room.  “You insensitive jerk, I’ve spent two months feeling like I’m worthless.  Yes I’m trying.  If I can’t be a filmmaker, what am I good for?  I put my life into this field and I would hate to think it was over now.”  I felt tears threaten to escape.  It was too late, the dam broke and the salty springs streamed down my face.  Why didn’t he understand?  It’s not whining.  Far from it, it’s years of abuse and neglect by the people I care about most all built up to this moment.  Until the critical acclaim of my first film no one but Scotty supported my dream.  My mom continued to tell me how impractical filmmaking was.  Why don’t you consider a career in the health field, she would always say, their looking for more African American representation.  I wish I could express to her how much I could care less.  I need filmmaking, without it I’m just another player in societal oppression.  Filmmaking gives me a voice to speak.  In making a film I can tell the other side of the story that people barely get to see.  Maybe people will finally understand the problems that still exist in our society.  Through my films I can paint a world of equally and expose the reality of corruption.

“Liberation for a Weirdo”

EXT. STREET – DAY 

KAI rides her skateboard down the street with a video camera in her hand recording everything she sees.  A boy in glasses and helmet sees KAI and rushes over to her on his skateboard.  They both jump a small curb and stop to start walking. 

BRANDON: Kai! What’s up? Nice tie 

KAI: Thanks Brandon

BRANDON: Did your Mom see you?

KAI: Are you kidding?  If she did I’d be wearing a fucking dress right now. And still be on home being yelled at 

BRANDON: (laughs) How’s the movie coming along?

KAI: It’s ok, I need new material though…

KAI looked frustrated, she shut off her camera.                                               

BRANDON: You just have to find what kinda  story you wanna tell, write something I’ll act in it. 

His voice squeaks. 

KAI: (laughs) Yeah maybe when your voice stops doing that                               

BRANDON: Shut it, its fine.  Hardly ever happens                       

KAI: (laughs) Puberty, it’s happening, just embrace it                                       

She puts her arm around his should and emphasizes each word with her hand. 

BRANDON: What do girls have to deal with?

KAI: Nothing just a monthly bleeding vagina plus horrible cramps 

They walk into a park and play on some swings.  KAI records as she swings up and down. 

BRANDON: (laughs) Sucks… and gross 

KAI: So stop complaining about your stupid voice, believe me you’re getting the light end of the deal…

BRANDON: So glad I’m not a girl…  But guys DO have their problems too, watch a porno you’ll see.            

KAI: Porn is stupid, it had the worse most implausible storylines ever.

BRANDON: I don’t think that’s really the point of them Kai…                               

KAI: I have bigger problems anyway…. 

BRANDON: Why because you don’t dress like a girl?

KAI: What does dress like a girl even mean? 

BRANDON stops and ponders for a second.

BRANDON: Carrying a purse and wearing earrings which you definitely never do

KAI: Naya never carries a purse 

BRANDON: But Naya doesn’t wear bowties either 

KAI: Whatever dude, I just dress how I feel my soul wears a bowtie 

BRANDON: Ok weirdo 

KAI: Says the boy with the porn obsession (laughs) 

KAI gets up and rides her skateboard on the sidewalk.

BRANDON: Wait up! And it’s not an obsession! Just healthy recreation…

Except from my screenplay, scene entitled “Lost in a Bookstore”

INT BOOKSTORE – AFTERNOON

 

DELILAH is looking in the fiction section looking for a new book to read, when to the left she notices JALEY in the Women’s Studies section on the floor reading a book.

DELILAH smiles and walks over to her, surprised to see her. 

DELILAH: Hey Jaley

JALEY: (smiles) Hey

DELILAH: What are you reading?

JALEY: bell hooks

DELILAH: I love her, her theory on the Commdification of “Otherness” is so accurate to what most of the media tends to do

JALEY: (perking up) That’s Black Looks right? I read that for a class, I saw her speak once… words can’t describe how I felt that day.

DELILAH: I would love to hear her speak one day           

JALEY: She’s one of my many inspirations 

DELILAH: I’ve never seen you at this bookstore before, and I come her often.  Do you live around here?

JALEY: No I don’t, but my ex does, I used to come her a lot with her.  I found this place on the way to see her one day.  It’s so hard to find small bookstores with such a nice collection of cool books 

Bingo.

DELILAH: Oh… so you’re gay?

JALEY: (jokingly) No… bi, why you interested?

DELILAH: (blushes) Well… um I mean you’re very interesting, and we do have a lot in common and all…

JALEY: (laughs)Wow… I didn’t know you really were interested

DELLAH: Why wouldn’t I be?

JALEY: I wasn’t sure if you even liked girls or not

DELILAH: I wasn’t exactly sure if you did either until about a minute ago 

JALEY: I surprised you didn’t just ask

DELILAH: Well… this is kinda new for me, you’re sort of the first girl I’ve ever liked. 

JALEY: Really?

DELILAH: Yeah… it’s so weird, I just couldn’t stop thinking about you since I met you

JALEY: (smiles) Being overly cliché now aren’t we? 

DELILAH: (laughs) Don’t worry I’m not usually that sappy

JALEY: I’ll tell you what, do you want to maybe go out for dinner or something tomorrow?

DELILAH: (smiles) Sure I’d love to, where?                                   

JALEY: I’ll call you and let you know

DELILAH: Awesome

JALEY: (playfully) Now, could you leave?  I was trying to read here           

DELILAH: My bad… Didn’t mean to disturb you 

JALEY: (laughs) You clearly did

DELILAH: Whatever, it worked I have a date with a beautiful girl now

JALEY just blushes.  DELILAH gets up and walks to a different section.

 

 

The Revision

I pledge alliance to myself

Because no group’s path is completely righteous

To the freedom we should receive

To the systems of oppression working to keep that freedom locked

I do not pledge but realize, how fucked the world is

Limited in its ignorance

I pledge to become the pupil for the school of change

Forever long that may take

One nation, under God?

The hypocritical lie, the unwarranted superiority

The melting pot of hatred

The mirage of peace and love

Welcome to underlying lies with smiling faces

With liberty and justice for all

Some Thoughts

The unexplainable is constantly disregarded as “wrong” or “bad”.  But why?  This is the question no one knows the answer to.  They often respond, “Because that’s the way it is,” however that answer denies the ways in which times have constantly change and are still changing.  Fashion especially, with the variety of designs presented within the fashion world as brilliant or genius, similar examples that are replicated in the life of an ordinary child not living in a fashion capital are ridiculed and put down as going against the norm.  There is only some semblance of tolerance when it is seen on models or celebrities, otherwise it is wrong.

In the classic case of the bully vs. the bullied, often the bullied is told to hide or blend in more, thus forcing them to change a part of themselves in order reach the conformity the bully wants.  Why is this usually the answer?  Are we so afraid of difference?

The process of becoming yourself as an individual involves your environment; however you should not let the people in that environment dictate everything about you. 

Be that black girl listening to rock music and don’t feel like you’re in some way turning your back on your culture.  Although our patriarchal society is limiting in many ways, we do not need to be consumed by it.  The first step to change involves the acceptance and integration of difference, as well as the understanding.  Without this we care still just going to self-segregate ourselves everywhere we go, searching for those that match our skin.

 

A Poem: Rainbow Re-Imagined

Judgment of difference

A phantasmic ordeal the mind changes into reality 

Judgment defines me / perceives to know me 

Falsely believes what I’m not

Perception

The eroded confusion

Who are the intelligent?

The powerful / the powerless

Those waiting on a miracle / those content with a colorless rainbow

I wear gender as a veil

Pink vs. Blue

I exist in the invisibility of race

Black vs. White

Perception

The notion of renaming

Society judges / dualities of difference

The crisis of the inbetween

Concrete existence / figments of the mind’s eye?

The rainbow re-imagined.

An Essay: Many Moons, A Call to Action

“Music is one of the most powerful cultural forces through which young people express emotions, shape their identities, and generate ties with one another” (Driver, 203).  However, mainstream music, across several different genres, continues to work to enforce the destructive patterns of racism, sexism, classism, and heterosexism.  When listening to any popular radio station, one can expect to have a piece of one’s identity undermined and/or devalued.  It happens so often that when artists such as Lil Wayne say, “Beautiful black woman, I bet that bitch look better red,” listeners do not blink an eye.  They comment on his clever wordplay, but never question why it’s acceptable to threaten Black women with violence, positioning them as an object to control.  Where is the artist who creates music that promotes a society in which all people are treated equality and fairly regardless of race, sex, and class?  Where is a song that combats all the problems people are too afraid to discuss?  “Many Moons”, Janelle Monáe’s single from her 2008 EP Metropolis: The Chase, Monáe not only establishes a safe space for Black woman, but also for anyone who has ever been identified as the “Other”.  Monáe positions herself as an outsider by her gender expression.  She performs in tuxedos, a pompadour hairstyle, and 1950’s oxford saddleback shoes to represent the working class.  She also defines her style as her superhero uniform, a look that transcends time in its classic appeal and breaks up the labels of what is known as masculine wear and feminine wear.

“Many Moons” conceptualizes the life of the “Other” with an infectious beat and an android back story.  The refrain from the song, “We march all around til’ the sun goes down night children.  Broken dreams, no sunshine, endless crimes, we long for freedom (for freedom) you’re free but in your mind, your freedom’s in a bind”, discusses how the idea of freedom moves the “Other” beyond physical enslavement, but towards a new form of oppression involving systematic and social placement the “Other” within society.  Stereotypes of difference circulate through not only music, but other medias such as advertisements, television shows, movies.   Images of black men, for example, tend to focus more on either entertainment or criminal activity.  “The controlling image of Black men as criminals or as deviant beings encapsulates this perception of Black men as inherently violent and/or hyper-heterosexual and links this representation to poor and/or working-class African American men” (Hill Collins, 158).  The freedom of Black men exists within certain contexts, but they are never free from the idea of racism and classism.  There are systems of oppression in place that hinder anyone who exists outside of the hegemonic group: white, male, middle class, and heterosexual.  The idea of freedom is just that, an idea, true freedom is only capable within a location of equality.  Mainstream society continues to ignore the problematic representations of men and women of difference, affirming the place of these representations in society as valued.  That value could be humor or monetary reasons for the creator of that image.  Monáe comments on the ways the idea that these problems with difference within society are often thrown away or ignored.  The solution is for the people within society with privilege to recognize that privilege as problematic.  It is very easy to not think of the problems of racism, sexism, heterosexism, classism, when it does not reflect negatively on your race, class, sex, or sexuality.        

Monáe takes a feminist approach to her song and calls for her listeners to realize the limitations in the way things are, and to begin thinking of ways in which we can alter that reality.  The chorus of “Many Moons” presents the first call to action in the song.  Revolutionize your lives and find a way out… are you bold enough to reach for love?”  What is the best way to negotiate relations of race and gender in society?  From the lyrics in this song, coming together to progress the human race will bring together a movement to battle the injustice that happens daily.  Love is the answer to our problems.  Love does not treat us unfairly or ignore us, it embodies a vision of each person as someone important that we can believe and hold onto.  To reach this ideal, however, the “Other” has to not become an additive to the hegemonic group, but an equal partner.  “The commdification of Otherness has been so successful because it is offered as a new delight, more intense, more satisfying than normal ways of doing and feeling,” (hooks, 21).   hooks acknowledges that this what can sometimes happen when approached with the decision to rally with a person of difference, the “primitive” is desired of that group and thus there is a continuation and reinforcement of the stereotypes for the “other”.  Monáe claims that “we want more”, more than a veiled attempted at relating to people of difference, but rather a real change in the way society is structured.    

The song concludes with a long series of words that represent all aspects of a life with difference.  Many of the words are juxtaposed with their presumed counterparts.  A good example of this is with some of the comparisons she uses, “Welfare, bubonic plague… Breast cancer, common cold…  HIV, lost hope  Overweight, self esteem  Misfit, broken dream  Fish tank, small bowl… Closed mind, dark hold… Cybergirl, droid controlGet away now they trying to steal your soul”.  Society tends to work within a space of extremes.  You either have to be one thing or another, but Monáe begins to breakdown the grayness in people’s lives.  We all have different problems and ideas within identity groups; all African American women do not fit neatly within one homogenized group.  However, Janelle Monáe wishes to create a universal expression that addresses a number of issues that go on in a person’s life.  She names issues like having breast cancer, having HIV, being overweight, being an outcast, being a weirdo, and asks: does their need to be such a negative stigma attached?  Having HIV is not always a lost hope; people have survived and lead normal lives.  The common presumption of someone with the disease is a gay male, and that could also relate to the idea of them as either having no hope or being a lost hope as a productive member of society.  The same is looked at with being overweight.   Magazines, television, movies, advertisement often promote weight as an area of concern. The self-esteem comes predetermined for them.  They are fat, and should feel bad about that, because if our society decided to put negative value on the full figured body rather than the thin body the idea of being overweight would not exist. 

The comparison of welfare and the bubonic plague is the most interesting.  The welfare system “refers to those institutions, supported or managed by the U.S. government, that aim to ensure economic security, universal access to the resources for self-development and the reduction of social suffering, such as poverty and illness” (Barr).  However, it is the common interpretation that these families are under the poverty line or members in the working class due to laziness.  “The joblessness, poor school, racially segregated American society vanish, and the social class hierarchies in the United States as well as patterns of social mobility within them, become explained society by issues of individual values, motivation, and morals” (Hill Collins, 178).  Patricia Hill Collins recognizes how the aforementioned systems of oppression at work in society have an effect on the people who are not afforded the same opportunities as others to reach success.  There are always cases of the model minority, but the media creates that position men and women in poverty as less than.  Using the bubonic plague is fitting, welfare is a system used to help people who are treated as if they have a deadly disease.

In “Many Moons” Janelle Monáe wants to bring the listeners into the idea to question the quality of our society and to aim towards a place of utopian harmony and balance.  At the end of the song she mentions the phrase Shangri-La, which comes from the 1933 novel Lost Horizon by James Hilton and refers to a Himalayan earthly paradise.  She plays with the idea of creating a utopia, one that treats everyone fairly and not only accepts, but celebrates difference.  bell hooks concept of “eating the other”, or treating differences as items to trade, will become a passé in this utopian society.  Monáe takes a step forward for African American women in the music industry by distancing herself from the over-sexualized music and egocentric music that dominate the airwaves.  By creating songs like these, and using her image to challenge the way women should look, a shift is created in how we view music today.  We need to listen and reflect on the lyrics that the insult or undervalue a group of people.  “Many Moons” is the cry of the outsider to be let inside, and the inside’s denial to open that door.          

A Play: The Death of Words

Boy, around 18 or 19, best friend of Girl

Girl, around 18 or 19, best friend of Boy

Setting

(A single door sits in the center of the stage turned to its side so that the Boy and the Girl can stand on each side and the audience has full view.  Song plays for about 30 seconds while the lights come on to reveal the Girl sitting on the floor with her back against the door and the Boy is standing on the other side. The Girl is wearing a bowtie and a dress shirt with skinny jeans and nerd glasses, and the Boy is wearing jeans and a t-shirt.  The lighting is only focused on the two people and the door.  Song fades.)

Scene I

Boy:    (Knocks on door) Open the door

Girl:     (Appears to have been crying, wipes her eyes) No

Boy:    Why Not?

Girl:     They’re going to label me

Boy:    (leans against door and slides to the ground) Who’s going to label you?

Girl:     Society… The world… everyone.  The cowards out there afraid of anything different, the (does air quotes) “in” crowd who does whatever society tells them too, pointing and laughing at the girl in the bowtie sitting in the corner.

Boy:    (turns to face the door) So what?

Girl:     So… I’m not leaving.  I won’t give them the satisfaction… I’m not moving until the world becomes less cruel. 

Boy:    You can’t hide forever, and you don’t need to.  You’re free to be who you are.

Girl:     That’s such bullshit!  You don’t get it, I’m not free.  If I’m so free why can’t I say my opinion without the fear of being judged?  Why do I sometimes have to be cautious about walking down the hallway with someone I’m dating?  Why can’t I dress how I feel without people caring or thinking it’s weird?  And why do I always hear the names?  (pauses) I.. I just can’t take it… they hurt ok?

Boy:    (sits in silence for a few seconds) Open the door

Girl:     No

Boy:    (takes a deep breath) Bitch, Psycho, Slut, Tease, Freak, Weirdo, Dyke, Loser

Girl:     (turns to the door visibly confused) What are you going???

Boy:    I know these are some of the names they call you.  But they’re wrong ok?  You can’t let them define you, they’re just words from ignorant people.  Words mean shit when you don’t give them any power.  And besides you’re awesome, I would hate that something like that would change someone I love so much

Girl:     (turns back around and puts her back against the door, speaks in a quiet voice)  It’s still hard though…

Boy:    Life is hard, but –

Girl:     (interrupts him smiling) If you say it gets better I’m going to punch you in the face (laughs)

Boy:    (laughs) Why?

Girl:     (smiles) Wouldn’t that message work better if I was gay?

Boy:    (laughs) Shut up, you’re half gay that’s good enough… so you gonna open the door now?

Girl:     One condition

Boy:    (sighs) You’re ridiculous what?

Girl:     Tell me something weird about you… you’re so normal

Boy:    You know everything about me, we’ve been friends for years

Girl:     Boy please, I know you don’t tell me everything

Boy:    Well –

Girl:     (interrupts him) And don’t tell me that story about you in kindergarten eating glue, we all did weird things when we were five… something recent

Boy:    Ok what’s my favorite color?

Girl:     (slightly annoyed) How does that answer what I asked?

Boy:    Answer mine first

Girl:     I don’t know… I see you wearing a lot of green sometimes

Boy:    No, my favorite color is pink

Girl:     Really??? How don’t I know this??

Boy:    (laughs) It’s not something I advertise, and my dad won’t let me buy pink stuff, but I mean I just think it’s a cool color

Girl:     Wow… first straight guy I know who’s ever said that, others may wear pink but it’s never their favorite… did you ever try on a dress?

Boy:    Why would you ask that?

Girl:     Well… I just figured that maybe if you liked pink when you were younger than you might have been attracted to pink things… and usually little kid dresses are pink.  It’s probably a stupid question though, I’m just curious.

Boy:    (pauses) Once when I was about 4.

Girl:     Well… do you like them?

Boy:    No not really my thing

Girl:     Oh ok… Move over

Boy:    Why?

Girl:     (laughs) So I can open the door silly

Boy:    (stands and walks back a little)

Girl:     (opens door steps out and hugs Boy)

Boy:    (smiles) Nice bowtie, Bowtie Girl

Girl:     Where do you want to go anyway?

Boy:    Out there (points to audience) to be us and throw those labels back in the world’s face

Girl:     (laughs) Cool, can we stop by the mall while we’re out there?

End of Scene

Tagged: play, labels, society, life, .